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	Comments on: 2016 Milwaukee Film Festival: Eric Beltmann&#8217;s Top Five	</title>
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		By: Conversation: Critics Eric Beltmann and Shelly Sampon React to the 2016 Milwaukee Film Festival - Critic Speak		</title>
		<link>https://criticspeak.com/2016-milwaukee-film-festival-eric-beltmanns-top-five/#comment-2472</link>

		<dc:creator><![CDATA[Conversation: Critics Eric Beltmann and Shelly Sampon React to the 2016 Milwaukee Film Festival - Critic Speak]]></dc:creator>
		<pubDate>Tue, 25 Oct 2016 05:23:36 +0000</pubDate>
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					<description><![CDATA[[&#8230;] Eric: Well, you certainly have me pegged, Shelly. I saw “Kaili Blues” at the Times Cinema on the first full day of the festival, mostly because there was no way I was going to miss seeing that 40-minute shot on the big screen. While the rhythms and visuals of the movie are entrancing—long traveling shots become a motif; sometimes it feels like we are riding a guided Zoomobile sideways and up-and-down through the verdant, leveled places on screen—what has really stuck in my mind are the sounds, including the thunder bellowing through the alleys. “Kaili Blues” is a movie to get lost inside, and I may have made a mistake by not including it on my best list. [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] Eric: Well, you certainly have me pegged, Shelly. I saw “Kaili Blues” at the Times Cinema on the first full day of the festival, mostly because there was no way I was going to miss seeing that 40-minute shot on the big screen. While the rhythms and visuals of the movie are entrancing—long traveling shots become a motif; sometimes it feels like we are riding a guided Zoomobile sideways and up-and-down through the verdant, leveled places on screen—what has really stuck in my mind are the sounds, including the thunder bellowing through the alleys. “Kaili Blues” is a movie to get lost inside, and I may have made a mistake by not including it on my best list. [&#8230;]</p>
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