Review: “Visitors”

It should go without saying by now that when you enter a film by Godfrey Reggio, you should not expect any semblance of a traditional narrative. Like his noted “Qatsi” trilogy—that’s 1982’s “Koyaanisqatsi,” 1988’s “Powaqqatsi,” and 2002’s “Naquoyqatsi”—Reggio’s latest effort, “Visitors,” is but a collection of 74 shots manipulated by various effects, set to an […]

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