Danny Baldwin

Danny Baldwin has been writing about film on the Internet for over a decade, initially for BucketReviews and now for Critic Speak. He holds a Master's degree in Critical Studies from the University of Southern California and in past years served as a member of both the Online Film Critics Society and the San Diego Film Critics Society. Danny's favorite films include “The 400 Blows,” “Imitation of Life" (1959), “My Neighbor Totoro” and “The Silence of the Lambs.” He lives in Los Angeles.

Review: “Parental Guidance”

Billy Crystal’s Oscar schtick ceased being funny years ago, but if the actor’s lack of a regular paycheck from the Academy was what compelled him to spearhead “Parental Guidance”—his first starring role in a decade—then I suggest that we anoint him the ceremony’s permanent host. Enduring Crystal’s hum-drum video-package and monologue is nothing compared to

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Review: “Jack Reacher”

“Jack Reacher” is based on Lee Child’s “One Shot,” the ninth mystery novel in a series of 17 that have cumulatively sold over 60 million copies worldwide, but you’d never guess this by only watching the film, which is exceedingly unexceptional. Paramount executives could have saved a lot of money on licensing fees by simply

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Review: “This is 40”

The title and advertised premise of Judd Apatow’s “This is 40” are diversion tactics. Yes, the focal couple turn 40 during the film and there are plenty of jokes about growing older—Debbie (Leslie Mann) pathologically lies about her age, while Pete (Paul Rudd) asks her to examine an irregularity he finds on his anus via

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Review: “The Guilt Trip”

The product of two negative integers is a positive one, but the product of two cliché film premises is not an original one, as proven by “The Guilt Trip,” a relentlessly uninspired pairing of the road-trip movie and the mother-son bonding movie. When even the smartly cast Barbra Streisand and Seth Rogen–the quintessential Jewish mom

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Review: “Any Day Now”

West Hollywood, 1979. One night in a gay bar, Paul (Garret Dillahunt), who has barely come to terms with his homosexuality after the collapse of his heterosexual marriage, locks eyes with drag performer Rudy (Alan Cumming). They have a sexual encounter in the parking lot and Paul gives Rudy his phone number. The next morning,

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