Danny Baldwin

Danny Baldwin has been writing about film on the Internet for over a decade, initially for BucketReviews and now for Critic Speak. He holds a Master's degree in Critical Studies from the University of Southern California and in past years served as a member of both the Online Film Critics Society and the San Diego Film Critics Society. Danny's favorite films include “The 400 Blows,” “Imitation of Life" (1959), “My Neighbor Totoro” and “The Silence of the Lambs.” He lives in Los Angeles.

Mike Tyson and Mike Epps star in "Meet the Blacks," here reviewed by film critic Danny Baldwin.

Review: “Meet the Blacks”

While I cannot recommend the new comedy “Meet the Blacks” on artistic grounds, as it almost completely falls flat in the humor department, a part of me hopes that it does well at the box office. Why? Because if the film makes any commercial waves, it will more likely than not initiate an important discussion …

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Review: “God’s Not Dead 2”

The end credits of “God’s Not Dead 2,” similar to those of its smash-hit predecessor, begin with a detailed text scroll of court cases, both federal and local, that supposedly informed its legal-themed narrative about a high school teacher on trial for invoking Jesus in the classroom. Blink and you’ll miss them, as they fly …

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Helen Mirren stars as Col. Powell in Gavin Hood's "Eye in the Sky," here reviewed by film critic Danny Baldwin.

Review: “Eye in the Sky”

After exploding onto the international film scene with the virtuosic 2005 debut “Tsotsi,” made in his native South Africa, director Gavin Hood gave the term “sophomore slump” new meaning by ignoring filmmaking elementals in favor of blatant Bush-bashing in his 2007 crossover picture “Rendition.” Now, after big-budget forays into the fantasy realms of Marvel Comics …

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review knight of cups

Review: “Knight of Cups”

At what point does an auteur’s “signature style” cross over into becoming a game of directorial Mad Libs? That’s the question I wrestled with for most of Terrence Malick’s “Knight of Cups,” a typically gorgeous effort from the reclusive filmmaker that nonetheless employs his trademarks—shots following characters from behind and hushed voiceover the most recognizable …

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Review: “The Hateful Eight”

Few filmmakers ascend to the the levels of both commercial success and critical acclaim required for Hollywood to extend them a pass to make whatever film they desire, within reason, but Quentin Tarantino has seemingly occupied such a privileged position for the last decade. Tarantino’s blank checks, made out by his career-long godfather Harvey Weinstein, …

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Review: “Steve Jobs”

“I’m going to put music in your pocket. One hundred songs. No, 500. I’m going to put between 500 and 1,000 songs in your pocket,” Steve Jobs blurts out to his college-aged daughter Lisa (Perla Haney-Jardine)—yes, the same daughter whose paternity he vulgarly denied in the pages of Time magazine over a decade earlier—in the …

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