Eric Beltmann

Eric Beltmann has been writing about cinema for various print and web outlets since 1991, including an eight-year stint at the now defunct Flipside Movie Emporium. Currently he teaches film and literature at a high school in southeastern Wisconsin. He shares a birth date with Pauline Kael and considers Buster Keaton part of the family. Contact Eric at beltmann@criticspeak.com.

Critics Eric Beltmann and Shelly Sampon discuss the 2018 Milwaukee Film Festival, which recently concluded.

Conversation: Critics Eric Beltmann and Shelly Sampon React to the 2018 Milwaukee Film Festival

The 10th annual Milwaukee Film Festival, which closed Nov. 1, brought more than 300 films to audiences in southeastern Wisconsin. Critic Speak contributor Eric Beltmann and The Cinemaphile blogger Shelly Sampon discuss how the election and festival seasons overlapped and why “Support the Girls” was the perfect emblem for a festival dominated by gender themes.

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Before directing “Wild Nights with Emily,” director Madeleine Olnek was awarded the Guggenheim Fellowship to research Emily Dickinson. The comedy stars Molly Shannon as the American poet.

MFF 2018 Review: “Wild Nights with Emily”

Madeleine Olnek’s latest comedy is about a poet, but it’s not really about poetry. Instead, “Wild Nights with Emily,” which screened last night as the Milwaukee Film Festival’s centerpiece film, revisits the myths surrounding Emily Dickinson to assess how women have been perceived and misrepresented throughout American history. If Walt Whitman is the great extrovert

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The 2018 Milwaukee Film Festival

Celebrating 10 Years: The 2018 Milwaukee Film Festival

The great French film director François Truffaut had a simple rule: If you want to know what a story’s really about, reflect on what’s changed by the end. By that metric, the story of the Milwaukee Film Festival’s first decade—its 10th edition opens Thursday—has a classic Hollywood theme. It’s the story of ragtag movie enthusiasts who

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Milwaukee Film, the purveyors of the Milwaukee Film Festival, took over daily operation of the three-screen Oriental Theatre in July.

15 Great Movies from the Milwaukee Film Festival’s History

It’s a new era for Milwaukee Film, the parent organization for the Milwaukee Film Festival. By taking over the daily operation of the three-screen Oriental Theatre in July, the nonprofit has fortified its position as a major cultural institution and secured a path to long-term sustainability. Right now, it’s the future that’s most exciting about

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Credit: Jennifer Johnson for Milwaukee Film

Conversation: Critics Eric Beltmann and Shelly Sampon React to the 2017 Milwaukee Film Festival

The ninth annual Milwaukee Film Festival, which closed Oct. 12, hosted a record-breaking 84,000 attendees, 101 sold-out screenings, and nearly 200 filmmakers and guests participating in talkbacks. The conversation continues below, as Critic Speak contributor Eric Beltmann and The Cinemaphile blogger Shelly Sampon discuss why “The Blood Is at the Doorstep” deserved its Audience Award

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2017 Milwaukee Film Festival: Cream City Cinema

Where should we pin the good citizenship ribbon? While some film festivals function as annual interlopers—destination events that cater to out-of-towners while largely excluding the locals—the nonprofit Milwaukee Film Festival has always been a provincial affair, inseparable from the city and its people. For nine years, MFF has invested in Milwaukee by celebrating its unique

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