Madeleine Olnek’s latest comedy is about a poet, but it’s not really about poetry. Instead, “Wild Nights with Emily,” which screened last night as the Milwaukee Film Festival’s centerpiece film, revisits the myths surrounding Emily Dickinson to assess how women have been perceived and misrepresented throughout American history. If Walt Whitman is the great extrovert …
Throughout my first year of teaching in West Bend, my paychecks always misspelled my name. Forgiving others for overlooking my surname’s very German second “n” has always been easy—after all, I have more than four decades of practice—but for me that doubled consonant is an unforgettable part of my identity, a family keepsake that, in …
The great French film director François Truffaut had a simple rule: If you want to know what a story’s really about, reflect on what’s changed by the end. By that metric, the story of the Milwaukee Film Festival’s first decade—its 10th edition opens Thursday—has a classic Hollywood theme. It’s the story of ragtag movie enthusiasts who …
Celebrating 10 Years: The 2018 Milwaukee Film Festival Read More »
It’s a new era for Milwaukee Film, the parent organization for the Milwaukee Film Festival. By taking over the daily operation of the three-screen Oriental Theatre in July, the nonprofit has fortified its position as a major cultural institution and secured a path to long-term sustainability. Right now, it’s the future that’s most exciting about …
15 Great Movies from the Milwaukee Film Festival’s History Read More »
The ninth annual Milwaukee Film Festival, which closed Oct. 12, hosted a record-breaking 84,000 attendees, 101 sold-out screenings, and nearly 200 filmmakers and guests participating in talkbacks. The conversation continues below, as Critic Speak contributor Eric Beltmann and The Cinemaphile blogger Shelly Sampon discuss why “The Blood Is at the Doorstep” deserved its Audience Award …
Choosing “Faces Places” as the best movie in this year’s Milwaukee Film Festival might be a bit of a cheat. The latest work by Agnès Varda, a collaboration with the shades-wearing artist JR, wasn’t listed anywhere in the program book. No announcements were made. No tickets were sold. Nevertheless, a long queue formed Oct. 11 …
Where should we pin the good citizenship ribbon? While some film festivals function as annual interlopers—destination events that cater to out-of-towners while largely excluding the locals—the nonprofit Milwaukee Film Festival has always been a provincial affair, inseparable from the city and its people. For nine years, MFF has invested in Milwaukee by celebrating its unique …
I suppose it’s easier to sell a throwback Western starring Peter Fonda than a nonfiction look at Baltimore’s rat infestation. No wonder, then, that the Milwaukee Film Festival, which opened Thursday, screened “The Ballad of Lefty Brown” last night inside the vast, majestic Oriental Theatre but will show “Rat Film” (pictured above) in an afternoon …
When the Milwaukee Film Festival named “The Blood is at the Doorstep” as this year’s Centerpiece Film, it was akin to drawing a line in the sand. Erik Ljung’s debut feature is a hot-button political documentary that asks audiences to feel empathy for victims negotiating the American justice system in the wake of a police …
The eighth annual Milwaukee Film Festival, which closed Oct. 6, proved to be bigger than ever. Over 15 days, nearly 77,000 attendees—an 8% increase over 2015—binged on 283 films from 51 countries presented on six screens. Among them were Critic Speak contributor Eric Beltmann and The Cinemaphile blogger Shelly Sampon. They talk here about the festival’s …
