David O. Russell’s “Silver Linings Playbook” sets itself up for disappointment by initially adopting the appearance of a sophisticated movie that it’s not. The premise–two mentally ill people, he bipolar and she coping with the death of her husband, fall in love despite their difficulties with day-to-day life–suggests that the film is the rare romantic-comedy […]
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It took me two full reels to get into “This Must Be The Place”–an experience that I suspect many viewers will have with the film–because I wasn’t sure if I was willing to accept Sean Penn’s singular protagonist as the real deal. Even though Penn is among the finest working actors today, the character can’t
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A few liberal American critics have argued that the lessons of “A Royal Affair,” which chronicles Enlightenment thinking’s triumph over the religion-abusing aristocracy of 18th Century Denmark, apply to today’s domestic political sphere, as far-right officials and pundits like Michele Bachmann and Sean Hannity use the country’s Judeo-Christian tradition to justify what the left views
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The meat of Julia Loktev’s “The Loneliest Planet” stems from a single action that lasts no more than five seconds, nearly an hour into the film, and is never referenced again. An unfortunately timed bathroom break would render the second half unintelligible. There’s no denying that this structure is daring in its unwillingness to pander
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Jacob Aaron Estes’ “The Details” has no idea what tone it wants to establish. Billed as “darkly comic,” the movie attempts to strike that distinctly Coen Brothers-esque balance between farcical humor and over-the-top violence. But Estes is nowhere near as artistically gifted and confident as the Coens and, by not committing exclusively to either style,
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In “The Sessions,” John Hawkes plays Mark O’Brien, a 38-year-old polio survivor living out his life in an iron lung who decides it’s finally time to lose his virginity. To accomplish this, Mark seeks the services of a sexual surrogate, Helen Hunt’s Cheryl Cohen-Greene, a type of therapist who engages in sex with those whose
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In the opening scenes of “Smashed,” Mary Elizabeth Winstead’s Kate Hannah immediately reveals herself to be a full-fledged alcoholic. She wakes up hungover, swigs beer in the shower, and sneaks a flew sips from her flask before walking into work… as an elementary school teacher. In the middle of class, Kate vomits, causing a student
Lee Daniels’ “Precious” was a messy, vaguely impressionistic, swing-for-the-fences coming-of-age film that, against the odds, struck a chord with highbrow awards voters, at least in part due to the perceived social importance of its 1980s Harlem setting and the public support of Oprah Winfrey. Now, Daniels is back with an equally daring work–“The Paperboy”–that will
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Paul Thomas Anderson began his career with the story of an older social outcast taking on a younger one as his protégé in 1996’s “Hard Eight,” and now, 16 years later and regarded by many as the leading American filmmaker of his generation, he has returned to the same scenario in “The Master.” Once again,
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Unlikable characters are difficult to get right, because their personalities inherently repel the viewer. So when a movie features a protagonist that is, on paper, entirely unlikable, what is a filmmaker to do? The answer: hire a great actor to make the character so believable that the audience finds truth in them, even if they
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