Review: “Hannah Arendt”

For a biopic that tries to sell us on the complexity of its subject’s political theories, Margarethe von Trotta’s “Hannah Arendt” is awfully simplistic. Centered around Ms. Arendt’s unconventional “New Yorker” coverage of the Adolf Eichmann trial, the film provides a bullet-points version of her work as an intellectual during the late ’50s and early …

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