Review: “Spring Breakers”

The first sequence of Harmony Korine’s devilishly good new film “Spring Breakers”—comprised of intimate views of scantily clad, young female body-parts on a Florida beach, most of them gyrating—perfectly encapsulates the film’s modus operandi. This type of establishing shot has become commonplace in T&A-focused cinema, like the latest “Porky’s” knockoff (whatever that was) — to […]

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