Dax Shepard

Since its inception in the early 1990s with Robert Rodriguez’ “El Mariachi,” the do-it-yourself filmmaking movement has been roundly celebrated by the entertainment media. Indeed, micro-budget films that have blossomed into full-fledged Hollywood hits, from “The Blair Witch Project” to “Napoleon Dynamite,” offer compelling narratives of the little guy seizing upon the promise of capitalism, […]