Two seconds and three quick cuts is all Alfred Hitchcock needed to traumatize me. Watching “The Birds” on television as an impressionable 12-year-old seemed like a good idea until Jessica Tandy discovered the farmer with his eyes pecked out. Rather than a traditional zoom, Hitchcock used three staccato shots to close in on the wounded […]
MFF 2019: Cinema Hooligante Picks for Halloween Read More »
While it won’t win any trophies for elegance, “Mouth Harp in Minor Key: Hamid Naficy in/on Exile” still has one of the best titles of any movie at this year’s Milwaukee Film Festival. The documentary is indeed a minor, restrained affair about Hamid Naficy, a distinguished film scholar at Northwestern University. But when he demonstrates
MFF 2019 Interview: Maryam Sepehri Says Her New Documentary is ‘Very Personal’ Read More »
Like Charlie Chaplin’s famous prospector, the Milwaukee Film Festival knows there’s gold to be found due north. By adding the historic Rivoli Theatre in downtown Cedarburg to its roster of sites, the annual festival, which opens its 11th edition Thursday, is making an unprecedented push northward. Although MFF once had an outpost in Mequon, it
Introducing the 2019 Milwaukee Film Festival Read More »
The 10th annual Milwaukee Film Festival, which closed Nov. 1, brought more than 300 films to audiences in southeastern Wisconsin. Critic Speak contributor Eric Beltmann and The Cinemaphile blogger Shelly Sampon discuss how the election and festival seasons overlapped and why “Support the Girls” was the perfect emblem for a festival dominated by gender themes.
“They’re both judges,” explained Peter Goldberg, a retired public defender, as he waved at two filmgoers seated near the front of the Jan Serr Studio Cinema. We were there to see “The Guilty,” a Danish thriller that proved to be one of the most buzzworthy movies at the 10th annual Milwaukee Film Festival, which closed
The 2018 Milwaukee Film Festival: Top Five Read More »
Madeleine Olnek’s latest comedy is about a poet, but it’s not really about poetry. Instead, “Wild Nights with Emily,” which screened last night as the Milwaukee Film Festival’s centerpiece film, revisits the myths surrounding Emily Dickinson to assess how women have been perceived and misrepresented throughout American history. If Walt Whitman is the great extrovert
MFF 2018 Review: “Wild Nights with Emily” Read More »
Throughout my first year of teaching in West Bend, my paychecks always misspelled my name. Forgiving others for overlooking my surname’s very German second “n” has always been easy—after all, I have more than four decades of practice—but for me that doubled consonant is an unforgettable part of my identity, a family keepsake that, in
The 2018 Milwaukee Film Festival: Das Kino Read More »
The great French film director François Truffaut had a simple rule: If you want to know what a story’s really about, reflect on what’s changed by the end. By that metric, the story of the Milwaukee Film Festival’s first decade—its 10th edition opens Thursday—has a classic Hollywood theme. It’s the story of ragtag movie enthusiasts who
Celebrating 10 Years: The 2018 Milwaukee Film Festival Read More »
It’s a new era for Milwaukee Film, the parent organization for the Milwaukee Film Festival. By taking over the daily operation of the three-screen Oriental Theatre in July, the nonprofit has fortified its position as a major cultural institution and secured a path to long-term sustainability. Right now, it’s the future that’s most exciting about
15 Great Movies from the Milwaukee Film Festival’s History Read More »
The ninth annual Milwaukee Film Festival, which closed Oct. 12, hosted a record-breaking 84,000 attendees, 101 sold-out screenings, and nearly 200 filmmakers and guests participating in talkbacks. The conversation continues below, as Critic Speak contributor Eric Beltmann and The Cinemaphile blogger Shelly Sampon discuss why “The Blood Is at the Doorstep” deserved its Audience Award
