Milwaukee Film Festival

David Byrne fronts Talking Heads in Jonathan Demme's "Stop Making Sense," for which the Milwaukee Film Festival is hosting a dance-a-long at the Oriental Theatre.

2015 Milwaukee Film Festival: Week Two Picks

You’ve heard of sing-along movies, but what about the dance-along? Milwaukee Film Festival patrons are encouraged to unlock their bodies Saturday night during “Stop Making Sense” (Oriental Theatre, 11 p.m.), Jonathan Demme’s euphoric 1984 concert film about the Talking Heads and the ever-expanding big suit worn by frontman David Byrne. Playing for the third consecutive […]

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2015 Milwaukee Film Festival: Week One Picks

It’s a sorry festivalgoer that doesn’t make at least one deep cut discovery. Much of the ink spilled about the Milwaukee Film Festival, given its rising cultural cachet, is devoted to the Competition and Spotlight programming. (If you haven’t heard, Saturday’s centerpiece is the nonfiction “The Great Alone,” about four-time Iditarod champion Lance Mackey frosting

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2015 Milwaukee Film Festival

Introducing the 2015 Milwaukee Film Festival

After six years of launching with undercooked comedies, pint-sized documentaries, and one scorching drama made by relative unknowns, the Milwaukee Film Festival will for the first time kick off with a movie directed by a major international figure. Paolo Sorrentino’s “Youth,” which stars Michael Caine and Harvey Keitel as entertainment legends trading jokes and wisdom

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A scene from “AninA"

Conversation: Eric Beltmann and Shelly Sampon React to the 2014 Milwaukee Film Festival

Film festivals are about seeing tons of movies, sure, but they’re also about hanging out with people who love talking about all those movies. Not long after the curtain fell on the 2014 Milwaukee Film Festival, Critic Speak contributor Eric Beltmann and The Cinemaphile blogger Shelly Sampon decided to continue a dialogue that started between

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"Manuscripts Don't Burn"

2014 Milwaukee Film Festival: Eric Beltmann’s Top Five

“I’m going to yell at him when I go back to Iran,” Maryam Sepehri said while we chatted in the lobby of the Downer Theatre. She was referring to Mohammed Rasoulof, whose risky new feature “Manuscripts Don’t Burn” screened at this year’s Milwaukee Film Festival. Maryam, a documentary filmmaker from Tehran, knows Rasoulof but was

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MFF Interview: A Conversation with Maryam Sepehri

Iranian filmmaker Maryam Sepehri (left) won an award at the 2013 Milwaukee Film Festival for “Habibeh,” a documentary about painter Habibeh Bedayat (right). In the dead of night she labors, trance-like, over a canvas. By the end of “Habibeh,” viewers will comprehend all of the thorny reasons why this fascinating woman—a painter, mother, teacher, and

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