Milwaukee Film Festival

2015 Milwaukee Film Festival

Introducing the 2015 Milwaukee Film Festival

After six years of launching with undercooked comedies, pint-sized documentaries, and one scorching drama made by relative unknowns, the Milwaukee Film Festival will for the first time kick off with a movie directed by a major international figure. Paolo Sorrentino’s “Youth,” which stars Michael Caine and Harvey Keitel as entertainment legends trading jokes and wisdom […]

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A scene from “AninA"

Conversation: Eric Beltmann and Shelly Sampon React to the 2014 Milwaukee Film Festival

Film festivals are about seeing tons of movies, sure, but they’re also about hanging out with people who love talking about all those movies. Not long after the curtain fell on the 2014 Milwaukee Film Festival, Critic Speak contributor Eric Beltmann and The Cinemaphile blogger Shelly Sampon decided to continue a dialogue that started between

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"Manuscripts Don't Burn"

2014 Milwaukee Film Festival: Eric Beltmann’s Top Five

“I’m going to yell at him when I go back to Iran,” Maryam Sepehri said while we chatted in the lobby of the Downer Theatre. She was referring to Mohammed Rasoulof, whose risky new feature “Manuscripts Don’t Burn” screened at this year’s Milwaukee Film Festival. Maryam, a documentary filmmaker from Tehran, knows Rasoulof but was

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MFF Interview: A Conversation with Maryam Sepehri

Iranian filmmaker Maryam Sepehri (left) won an award at the 2013 Milwaukee Film Festival for “Habibeh,” a documentary about painter Habibeh Bedayat (right). In the dead of night she labors, trance-like, over a canvas. By the end of “Habibeh,” viewers will comprehend all of the thorny reasons why this fascinating woman—a painter, mother, teacher, and

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MFF Review: “Closed Curtain”

Many movies at this year’s Milwaukee Film Festival, which closed October 10, were epic in scope, but the very best film, “Closed Curtain,” tapered into smaller and smaller space until filmgoers were locked inside the mind of a single individual—the director, Jafar Panahi. After releasing five allegories critical of his home country of Iran, Panahi

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Introducing the 2013 Milwaukee Film Festival

Sapphire represents September birthdays and fifth anniversaries, and while both meanings apply to this year’s Milwaukee Film Festival, the real link is emblematic—like the blue gem, the festival is defined by its sense of constancy. There’s a reason why the festival’s fifth installment feels like its tenth: Since many of the behind-the-scenes players cut their

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