The Wolf of Wall Street

Review: “The Wolf of Wall Street”

Superficial readings of Martin Scorsese’s “The Wolf of Wall Street” characterize the movie as a microcosmic look at the gluttony and corruption of America’s so-called “One Percent,” but it’s actually a broader comment on our society’s confused moral compass. There’s a reason Scorsese and screenwriter Terence Winter chose to tell this particular story of financial

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35mm loses another key advocate: Martin Scorsese to shoot new film digitally

Had you asked me yesterday to make a list of the filmmakers who were the biggest proponents of shooting on celluloid, Martin Scorsese’s name would have been close to the top. Sure, the veteran director shot last year’s award-winning “Hugo” using the Arri Alexa digital camera, but most of us figured that was only because

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Scorsese, DiCaprio ink deals, make The Wolf of Wall Street official

Martin Scorsese and Leonardo DiCaprioFans of the Martin Scorsese/Leonardo DiCaprio partnership need not wait much longer for another picture from the duo. After months of speculation, Scorsese and DiCaprio, who last worked together on 2010’s Shutter Island, today officially signed on to make The Wolf of Wall Street, marking their fifth collaboration. The New York production will begin shooting in August.

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