As I anticipated in my preview piece, this year’s TCM Classic Film Festival was a sublime experience. The festival keeps growing year after year, and it’s easy to see why: great movies, lovely audiences (despite the fact that they seem to clap an unhealthy amount for Ward Bond), entertaining guests, grand theaters, perfect projection. And […]
2014 TCM Classic Film Festival: Wrap-Up Read More »
The question on everybody’s mind at last year’s TCM Classic Film Festival was: Is this the end of Grauman’s Chinese Theatre as we know and love it? There was a collective feeling of uncertainty as festival-goers filed into the grand old movie palace for the closing night presentation of Buster Keaton’s “The General,” the final
2014 TCM Classic Film Festival: Preview Read More »
Superficial readings of Martin Scorsese’s “The Wolf of Wall Street” characterize the movie as a microcosmic look at the gluttony and corruption of America’s so-called “One Percent,” but it’s actually a broader comment on our society’s confused moral compass. There’s a reason Scorsese and screenwriter Terence Winter chose to tell this particular story of financial
Review: “The Wolf of Wall Street” Read More »
Had you asked me yesterday to make a list of the filmmakers who were the biggest proponents of shooting on celluloid, Martin Scorsese’s name would have been close to the top. Sure, the veteran director shot last year’s award-winning “Hugo” using the Arri Alexa digital camera, but most of us figured that was only because
35mm loses another key advocate: Martin Scorsese to shoot new film digitally Read More »
