Danny Baldwin

Danny Baldwin has been writing about film on the Internet for over a decade, initially for BucketReviews and now for Critic Speak. He holds a Master's degree in Critical Studies from the University of Southern California and in past years served as a member of both the Online Film Critics Society and the San Diego Film Critics Society. Danny's favorite films include “The 400 Blows,” “Imitation of Life" (1959), “My Neighbor Totoro” and “The Silence of the Lambs.” He lives in Los Angeles.

Redband Trailer – The Watch

There is a potentially huge movie called The Watch releasing this summer that has been floating under the radar. Why? Because the studio, 20th Century Fox, was reticent to promote it under its previous title, Neighborhood Watch, with the Trayvon Martin/George Zimmerman case still making headlines. Well, now the movie has its new title and a redband trailer,

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Adam Yauch, Beastie Boys rapper and Oscilloscope Laboratories co-founder, dead at 47

Adam Yauch, better known as Beastie Boys rapper MCA, has passed away at 47. That Yauch had recently been fighting cancer was well known. In 2009, he went public with this battle, against a cancerous parotid gland. In addition to making musical hits for decades with the Beastie Boys, Yauch created the film distribution company Oscilloscope Laboratories

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Samuel L. Jackson Twitter-bitches about New York Times review of The Avengers, gets called out

It all started with a tweet: Samuel L. Jackson decided that even though The Avengers had already amassed $200 million internationally and was one day away from pleasing millions of fans in the United States (many of them already lined up for midnight shows), he needed to declare war on longtime New York Times film critic

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Disney hires Brad Bird to direct 1952, written by Lost‘s Damon Lindelof

Just because Lost is over doesn’t mean writer/producer Damon Lindelof is done keeping his cards close to his vest. It was announced today that Brad Bird (Mission: Impossible – Ghost Protocol, Ratatouille) will be directing Lindelof’s script 1952, of which almost nothing is known. In reporting the news, Deadline‘s Mike Fleming conceded that the project is “secrecy-shrouded,”

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