Paramount and the Alamo Drafthouse movie theater chain today announced the “Anchorfan Pass,” a $15 ticket that will allow patrons to see “Anchorman 2: The Legend Continues” an unlimited number of times at any Drafthouse location beginning on January 1. It’s a nifty promotional idea for a film that is sure to have many repeat […]
Could the Anchorfan Pass be Hollywood’s newest business model? Read More »
On my final night attending this year’s AFI Fest, I hustled across the Chinese multiplex lobby from a screening of Hong Sang-soo’s “Our Sunhi” to another of “Borgman,” the reportedly highly disturbing Dutch film that made waves at this year’s Cannes Film Festival. I was too late to secure anything better than a second-row seat,
AFI Fest 2013: “The Unknown Known,” “The Past,” “Our Sunhi,” & “The Green Inferno” Read More »
When a film festival includes previously released films on its schedule, especially older films, they are usually great achievements in cinematic history or straight-up crowd-pleasers. AFI did a gala presentation of “Mary Poppins” this year to coincide with its Opening Night Film, “Saving Mr. Banks,” the New York Film Festival debuted a restoration of “The
AFI Fest 2013: “The Marriage of Maria Braun” (1979) Read More »
Agnès Varda, Grand Dame of the film world, descended upon AFI Fest 2013 as Guest Artistic Director. In this role, she chose several canonical films to be screened with her own personal introductions. For Sunday morning she picked John Cassavetes’ “A Woman Under the Influence” (1974), a kinetic and disturbing film that Varda, appearing in
AFI Fest 2013: “A Woman Under the Influence” (1974) Read More »
Another year, another AFI Fest. It’s hard to believe I’ve been attending this Los Angeles institution for seven years now, but there’s nothing I look forward to more each November. And while I’m no longer able to see the ludicrous number of movies I once was—back in 2007 and 2008, I ignored my undergraduate obligations
AFI Fest 2013: “The Wind Rises” & “Vic + Flo Saw a Bear” Read More »
Call it “The Lost Episode.” James and I recorded this edition of the Critic Speak Podcast nearly a month ago, but then life got in the way and I didn’t have a chance to edit and upload it until today. My sincerest apologies. When you hit play, imagine you’ve just sent your DeLorean back to
Critic Speak Podcast: Episode 14 (Guest Greg Sestero) Read More »
“Hey, Teach, sit down and let me get you a pastry,” said Rachel Engel, one of the theater managers for the Milwaukee Film Festival, in an effort to soften the blow. Technical glitches forced the cancellation of “Drug War,” Johnnie To’s latest Hong Kong action ballet. For To junkies like me, a film and literature
Notes from the 2013 Milwaukee Film Festival Read More »
Iranian filmmaker Maryam Sepehri (left) won an award at the 2013 Milwaukee Film Festival for “Habibeh,” a documentary about painter Habibeh Bedayat (right). In the dead of night she labors, trance-like, over a canvas. By the end of “Habibeh,” viewers will comprehend all of the thorny reasons why this fascinating woman—a painter, mother, teacher, and
MFF Interview: A Conversation with Maryam Sepehri Read More »
Many movies at this year’s Milwaukee Film Festival, which closed October 10, were epic in scope, but the very best film, “Closed Curtain,” tapered into smaller and smaller space until filmgoers were locked inside the mind of a single individual—the director, Jafar Panahi. After releasing five allegories critical of his home country of Iran, Panahi
MFF Review: “Closed Curtain” Read More »
It’s a big week for the Critic Speak Podcast, as James and I are joined for nearly a full half-hour by Tommy Wiseau, the writer/director/producer/star of the 2003 cult sensation “The Room.” Wiseau joined us to promote his appearances at Landmark’s Ken Cinema in San Diego at Midnight on October 11 & 12 (this coming
Critic Speak Podcast: Episode 13 (Guest Tommy Wiseau) Read More »
