The highly anticipated film “Noah,” Darren Aronofsky’s vision of the popular Biblical story of Noah’s Ark, hits theaters on March 28 in the United States and April 4 in the United Kingdom. We’ll have a review on Critic Speak when it’s released, but for now, here are the top five reasons to be excited for […]
Sponsored Video: Top five reasons to be excited for “Noah” Read More »
Would you like to see a sequel to a film that concluded with the vast majority of its principal cast ending up, rather unquestionably, as nourishment for fowl? Warner Bros. and Legendary Pictures sure think so! The fact that there is a follow-up to “300,” the film that cemented Zack Snyder as the premiere director
Review: “300: Rise of an Empire” Read More »
With the re-release of “Anchorman 2: The Legend Continues” in a new “Super-Sized R-Rated Version” complete with “763 new jokes,” we at Critic Speak thought it would be appropriate to interview one of the film’s cast members and have them convince us why we should spend our hard-earned money to go see a film we
Everything you need to know about the R-rated version of “Anchorman 2” Read More »
Rest assured: this is the only Oscar predictions post you’ll see on Critic Speak all year. While the rest of the Internet film community becomes obsessed with statuettes come November, writing almost exclusively about precursors and frontrunners and “Oscar buzz” for the next four months, we pride ourselves on keeping the focus on real criticism.
Our 2014 Oscar Picks and Predictions Read More »
Liam Neeson’s late-career transformation into the ass-kicking headliner of big-budget B-movies, jump-started by 2008’s smash-hit “Taken,” has been as welcome as it was unexpected. Who, a decade ago, would have guessed that the then-52-year-old actor, having just shaken off the image-tarnishing “Star Wars: Episode I” with an Academy Award nomination for his dignified portrayal of
Review: “Non-Stop” Read More »
Can an advertisement be entertainment, or even classified as art? Consumers are likely to find ads of any form or length to be somewhere between innocuous and deserving of extreme cynicism, save for those precious television commercials that are interrupted by some dumb championship football game. It is widely believed that in an ideal world,
Review: “The Lego Movie” Read More »
Let’s not bury the lede here: Around the 57-minute mark of “Man of Tai Chi,” Keanu Reeves hisses like a dragon, mouth agape, straight into the camera, framed in close-up. If you can’t handle the intense lunacy of this moment, never add “Man of Tai Chi” to your Netflix list, never buy it on VOD,
Streaming Pick: “Man of Tai Chi” Read More »
It should go without saying by now that when you enter a film by Godfrey Reggio, you should not expect any semblance of a traditional narrative. Like his noted “Qatsi” trilogy—that’s 1982’s “Koyaanisqatsi,” 1988’s “Powaqqatsi,” and 2002’s “Naquoyqatsi”—Reggio’s latest effort, “Visitors,” is but a collection of 74 shots manipulated by various effects, set to an
Review: “Visitors” Read More »
Mads Mikkelsen has made a career out of playing monsters. His two most prominent roles (especially to American audiences), the “Casino Royale” villain Le Chiffre and the titular character on NBC’s “Hannibal,” have offered Mikkelsen opportunities to play all sides of the sick and the ruthless. As Le Chiffre, Mikkelsen was presented with an opportunity
Streaming Pick: “The Hunt” Read More »
Bret Easton Ellis recently declared 2013 the worst year in the history of cinema. If that’s true, I didn’t notice. For months, I’ve walked out of film after film, saying to myself or whoever I was with, “Well, that’s a potential top 10 candidate,” so pleased I was with what I just saw. When the
James Frazier’s Top 10 (+10) Films of 2013 Read More »
