Jude Law

Review: “Anna Karenina”

The task of adapting Leo Tolstoy’s 864 page, multi-volume novel “Anna Karenina” for the silver screen undoubtedly possesses a high level of difficulty, not just due to the obvious challenge of condensing such a detailed work into a two-hour production, but because one must be very creative in finding a new angle to tell such

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Review: “360”

Since his audacious gangster film debut “City of God” made him an instant art house sensation in 2002, director Fernando Meirelles has tackled one heavy subject after another in what has felt like a desperate attempt to be taken seriously as an artist. In turn, Meirelles’s films have been defined by a troubling self-seriousness that

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