Review: “The World’s End”
“Shaun of the Dead” and “Hot Fuzz” were cleverly referential, skillfully made comedies, but the final installment in Edgar Wright, Simon Pegg, and Nick Frost’s so-called Cornetto Trilogy, “The World’s End,” is in another league because it adds a rich human element to the equation. There’s plenty of the previous fun—popular allusions and action tomfoolery—but …
