“Justice League” is a milestone in American cinema: the flop with a $94 million opening weekend. That’s a lot of money for a flop to earn over a few days, but “Justice League” came with a high price tag ($300 million and change) and even higher expectations. It’s the DC Cinematic Universe’s answer to Disney’s […]
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“Baby Driver” is bubblegum crime, a pop-infused whirlwind of electric thrills and fizzy romance. It’s a heckuva lot of fun while it lasts, and more than a little catchy, but don’t expect to be moved by it.
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War is hell, but it might be even worse if you’re unarmed. That’s exactly how Desmond Doss ran into battle, and on purpose. A Virginia country boy and devout Seventh Day Adventist, Doss rescued nearly a hundred men in one of a nasty war’s nastiest patches of scorched earth without firing a shot. It’s through
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In the years since George Romero singlehandedly created the zombie genre with 1968’s “Night of the Living Dead,” he befriended and partnered with horror fiction magnate Stephen King for 1982’s “Creepshow,” a delightfully cheesy and colorful chiller anthology. And though King has gone on to write and even direct more movies, he never tried his hand
What is “10 Cloverfield Lane”? A helluva marketing gimmick, first and foremost, and a movie second. Produced and announced with impressive stealthiness, it arrives on the back of a brilliant advertising campaign that tantalizingly teases a frightening sci-fi mystery. Or is it a hostage thriller? And what’s the connection to the 2008 found-footage hit “Cloverfield”?
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Danny made the “suicidal” guess that “Mad Max: Fury Road” would win big. I hope he’s right, but I think he’s wrong! BEST PICTURE NOMINEES: “The Big Short,” “Bridge of Spies,” “Brooklyn,” “Mad Max: Fury Road,” “The Martian,” “The Revenant,” “Room,” “Spotlight.” PERSONAL PICK: “Mad Max: Fury Road.” PREDICTION: “The Revenant.”
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From the ashes of George Lucas’ “Star Wars” prequels comes “The Force Awakens,” a continuation of the Star Wars saga that delivers for casual and hardcore fans alike exactly what they’ve been waiting for in the 32 years since “Return of the Jedi”: a stellar movie. It is impossible, or at least negligent, to consider
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“Nothing will make sense to your American ears, And you will doubt everything we do. But in the end, you will understand.” So says a character in Denis Villeneuve’s outstanding “Sicario.” These prophetic words haunt both the audience and protagonist until they suddenly crystallize. The film is like a whodunit where instead of a crime, there’s a philosophical
Despite the “Avengers” series’ guaranteed billions in box office for years to come, writer/director Joss Whedon won’t be returning after this latest entry. One might ask: What filmmaker and certified geek wouldn’t love the chance to helm the ultimate superhero franchise indefinitely, one that sends moviegoers into a delighted, money-burning frenzy? Well, one who prefers art
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It took three tries, but Sylvester Stallone has finally done the unfortunate; he has turned his “Expendables” franchise into the lame, pandering celebrity parade that people thought the original would be. Though far from deep, the first two “Expendables” movies were superior genre flicks that wisely traded on their litany of brawny actors’ iconographies to
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