Of all the movies I would have guessed “Sicario: Day of the Soldado” to remind me of, “Jackie Brown” wouldn’t have been one of them. Hear me out. The second installment of the “Sircario” series is, underneath its sheen of gun violence and political intrigue, a hangout movie. It takes the two primary supporting characters […]
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In a beautiful beachfront home, an elderly woman talks with her forty-something husband. In his soothing, crisp baritone voice, he tells her the story of the time he proposed to her. She likes this story, and all the other stories he tells. But the man in front of her isn’t really her husband, or even
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Despite the “Avengers” series’ guaranteed billions in box office for years to come, writer/director Joss Whedon won’t be returning after this latest entry. One might ask: What filmmaker and certified geek wouldn’t love the chance to helm the ultimate superhero franchise indefinitely, one that sends moviegoers into a delighted, money-burning frenzy? Well, one who prefers art
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I can only assume that “Sadako” (not to be confused with Sudoku) grossed a whopping $16.8 million in Japan—about the same amount as the American blockbusters “Battleship” and “The Girl with the Dragon Tattoo”—because of its loose connection with “Ringu,” which you may remember as the J-Horror hit that Hollywood remade into “The Ring.” But
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The highest grossing Korean film of all time, Dong-hoon Choi’s “The Thieves” has been repeatedly characterized by critics as its native country’s take on Steven Soderbergh’s “Ocean’s 11” remake. While there are certainly surface similarities between the films—both deal with a band of robbers pulling off a major heist—the comparison hardly seems fair in that
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If there’s one thing I’ve learned from watching numerous Chinese historical dramas on Blu-Ray this past year, it’s that Chinese moviegoers must know a lot more about their country’s history than Americans do ours. With little exposition, these films plunge the viewer into complicated situations where prior knowledge is essential to finding one’s bearings. As
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“Doomsday Book” is an anthology film comprised of three shorts from two preeminent Korean directors, one of whom Western audiences are familiar with (Ji-woon Kim, who made the cult favorites “The Good, The Bad and the Weird” and “I Saw the Devil”) and another who they’ll now want to know more about (Pil-Sung Yim). Yim’s
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Certain literary works, especially those that traffic in the fantastical, are best left on the page because they cannot be brought to cinematic life in a manner that remains true to their original spirit. Presumably, this is the case with Qing Dynasty author Pu Songling’s “Erotic Ghost Story,” a beloved work in Chinese culture, but
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As a Southern California resident, I’ve long considered attending the annual Newport Beach Film Festival, but after watching “General Education,” which earned writer/director Tom Morris the “Breakthrough Filmmaker Award” at this year’s event, I think I can safely put that thought to bed. Any organization that would bestow such an honor upon this amateurish production,
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While the historical-fiction narrative of Daniel Lee’s “White Vengeance” may prove illuminating for Chinese viewers who are already familiar with the history of the Qin Dynasty, particularly the Hongmen Banquet event in 206 B.C., it’s safe to say that nearly every foreign viewer will be lost by the half-hour mark. Only the gist of the
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