Review: “Mama”

Just when you thought that the critically celebrated Jessica Chastain had finally done her first “paycheck movie,” the actress once again proves that she will only participate in cream-of-the-crop projects. “Mama,” while certainly not in the same league of cinematic excellence as Chastain’s other film of the moment, the masterwork “Zero Dark Thirty,” is nonetheless […]

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Review: “Broken City”

That “Broken City”’s portrayal of its conservative political candidate as a corrupt snake and its liberal candidate as a JFK-emulating idealist does not even come close to being its tiredest cliche should tell you something about the filmmakers’ capacity for original thought. It’s astounding that this predictable “thriller” about a crooked New York City mayor

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Review: “The Last Stand”

“The Last Stand” isn’t an action movie, a comedy, a crime thriller, or a Western. It’s an Arnold, the smallest genre in cinema. Arnold Schwarzenegger is arguably the only post-silent era actor whose participation mandates that a film be thought of as something other than what it ostensibly is. He’s singular, having such an effect

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Review: “Parental Guidance”

Billy Crystal’s Oscar schtick ceased being funny years ago, but if the actor’s lack of a regular paycheck from the Academy was what compelled him to spearhead “Parental Guidance”—his first starring role in a decade—then I suggest that we anoint him the ceremony’s permanent host. Enduring Crystal’s hum-drum video-package and monologue is nothing compared to

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