Mark Wahlberg

review of the film Lone Survivor

Review: “Lone Survivor”

Peter Berg’s “Lone Survivor” is an interesting war film in that it celebrates America’s elite warriors while also demythologizing them. As much as some critics have questioned the film’s often jingoistic tone, they also often neglect to recognize that with its celebration of its heroes comes a depiction of their frailties. After Berg takes the […]

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Review: “2 Guns”

In “2 Guns,” a pair of mismatched lawmen find themselves trading bullets with bad guys and banter with each other, moving methodically towards a climax that sees nearly every character torn apart by gunfire. Does this sound interesting to you? I don’t ask ironically. This kind of plot holds an ample degree of appeal not

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Review: “Pain & Gain”

“Big” and “loud” are two adjectives that have become synonymous with Michael Bay productions over the years, but usually they refer to cars, shootouts, and alien robots, not actual human characters, as in “Pain & Gain,” the filmmaker’s lowest budgeted film by several fold since his 1995 debut “Bad Boys.” Despite the smaller pool of

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Review: “Broken City”

That “Broken City”’s portrayal of its conservative political candidate as a corrupt snake and its liberal candidate as a JFK-emulating idealist does not even come close to being its tiredest cliche should tell you something about the filmmakers’ capacity for original thought. It’s astounding that this predictable “thriller” about a crooked New York City mayor

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Review: “Ted”

“Ted” is the first attempt at live-action filmmaking from Seth MacFarlane, creator of the adult-oriented cartoons “Family Guy” and “American Dad,” and it proves that his efforts should remain relegated to the boob-tube and off the silver-screen. Like MacFarlane’s television shows, “Ted” excels at making irreverent cultural references and observations, which fly fast and furious

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