2012

Review: “Hitchcock”

Perhaps the biggest problem with Sacha Gervasi’s “Hitchcock” is its title, which suggests that the film is something more ambitious and substantive than it actually is. The singular surname suggests a definitive biopic–in the tradition of “Nixon,” “Patton,” “Chaplin,” and so on–full of insights about the life and career of the man who many consider

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Brad Pitt stars in Andrew Dominik's "Killing Them Softly," which tanked at the box office this weekend, with $7 million and seventh place.

Weekend Box Office: Pitt and Dominik’s “Killing” opens softly

It wasn’t entirely unexpected that “Killing Them Softly” with Brad Pitt opened poorly at the box office (I predicted the gross within a half a million dollars in this week’s Box Office Beat column), but any time a major movie star’s film tanks in wide release, it’s news. “Killing Them Softly” raked in a measly

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Review: “Chasing Ice”

The second most memorable image in Al Gore’s popular global warming documentary “An Inconvenient Truth”–bested only by the former Vice President operating a mechanical lift in order to stand at the top of a big-screen line-graph demonstrating the exponential growth of CO2 in the atmosphere–was the slide in his presentation that showed the dramatic receding

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Weekend Box Office: “Twilight,” “Skyfall,” “Lincoln” beat openers

The “five-day weekend” over Thanksgiving has become a less popular time for Hollywood studios to release hot new movies than it used to be. As a result, the top three box office performers this year were films in their second and third weekends of release: “The Twilight Saga: Breaking Dawn – Part 2” at the

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Review: “Holy Motors”

While Leos Carax’s “Holy Motors” leaves viewers with dozens of questions due to its deliberate lack of a conventional narrative structure and any exposition whatsoever, the ideas that Carax explores in the film become rather clear after one’s initial befuddlement over the story details subsides. Of course, the film is so unlike anything audiences have

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