Review: “Sabotage”

Last year, writing about Arnold Schwarzenegger’s then-latest film, I wrote, “‘The Last Stand’ isn’t an action movie, a comedy, a crime thriller, or a Western. It’s an Arnold, the smallest genre in cinema. Arnold Schwarzenegger is arguably the only post-silent era actor whose participation mandates that a film be thought of as something other than

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Everything you need to know about the R-rated version of “Anchorman 2”

With the re-release of “Anchorman 2: The Legend Continues” in a new “Super-Sized R-Rated Version” complete with “763 new jokes,” we at Critic Speak thought it would be appropriate to interview one of the film’s cast members and have them convince us why we should spend our hard-earned money to go see a film we

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Liam Neeson Non Stop review

Review: “Non-Stop”

Liam Neeson’s late-career transformation into the ass-kicking headliner of big-budget B-movies, jump-started by 2008’s smash-hit “Taken,” has been as welcome as it was unexpected. Who, a decade ago, would have guessed that the then-52-year-old actor, having just shaken off the image-tarnishing “Star Wars: Episode I” with an Academy Award nomination for his dignified portrayal of

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Review: “The Lego Movie”

Can an advertisement be entertainment, or even classified as art? Consumers are likely to find ads of any form or length to be somewhere between innocuous and deserving of extreme cynicism, save for those precious television commercials that are interrupted by some dumb championship football game. It is widely believed that in an ideal world,

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